lamobandcamp@gmail.com send me music i will listen to whatever you send please. this isnt an entire listening log just stuff i want to write about because a full list would be too boring
so scary?!!! no artist name!!!! so scary!!!! ok. cool lofi death industrial / pe hybrid stuf, factory sounds π basically with droning synth distorted junk grinding loops a big silly grin rubbery squeaky synth.walked past one of those dogs that look funny they are tall and are long you know the one. second part of this has some flange sound that sounds like a cartoon fly haha and a two note spooooooky melody, goes full on washing machine industrial with the rhythm. third part is sine lfo filter bleak and interesting i am like πthis is so scary i am theirs to kill apparently.π±. develops slowly into gorgeous washing machine industrials junky scrapyard cool sound. Holding onto each other, breathless with awe, all kept their eyes glued upon the letters as they were formed, one by one. The sound of the metallic object continued, slowly scratching a sentence into the plaster. Finally the message was finished. It read:
.
YOU ARE M
pretty good really enjoyed the last part. part of a trilogy looks like, will have to check out the other two.
new ash nav π³ awesome. i am not up to date hang on i will finish writing this later probably . ok i will continue now. ash nav is cool always this is pretty rockin π³ psychedelik musik π³π³π³. midi instrument jams with some psychedelic guitar noodling, trying different ideas but having that Chill Weed Vibe (what is that from i remember that from somewhere for some reason). i am not properly up to date with ash nav but i understand that a lot of these new releases are along these lines which is fine but the cheesy electro industrial (probably not ) drum machines and cheesy sounding laptop synths and midi orchestral stuff it is not for me. there are some highlights though, mainly on the tracks with pads they sound very pretty and leave space for the live instruments, sixth track is favourite it has some bizarre sax and cool insect bugs noises m. i dont know mostly mediocre but it is cool that they are making more regular music it is jarring the difference between the 90s stuff and now π, just not that into this sorry.
solo matt bower skullflower guitar noodling :). the track titles are all hawkind references and seem vaguely related to the tracks they are referencing (maybe could be considered covers.) aubergine has some gorgeous riff action going on in the left ear, and some slide guitar action and chants in the right ear and in the middle is some guitar noodling and random sequence filtered guitar which fills the role of the synth part in the hawkwind sound i guess, title is referencing the aubergine that ate rangoon pretty sure but i am not sure if this is a cover or anything, whatever. city of lagoons what the fuck is happening this is gorgeous, this is the name of a hawkwind song it samples 1 second clips of the drums and has some singing on top but city of lagoons doesnt have any vocals i double checked i dont know where the vocals are from but this is so pretty, anyway the guitar layer of droning feedbacking riff guitar is lovely it is not panned thank god, also guitar noodling with the soft wah nu skullflower sound, popul vuh style melodic noodling and slide guitar in left ear, the cut up musical elements is so lovely i am so glad, the clipping is here laugh out loud funny but it isnt that bad, halfway through big switchup cut everything out reintroduce elements over a sawtooth oscillator sawtooth lfo drone in the left ear, and a more sombre mood in the noodling. shiva is referring to lord shiva the hindu god of destruction (i think i am quite sure), sorry im not a hawkwind expert but i am not sure what this is a cover of but i am very glad to have something like this again, total fucking boredom style you know what i am saying yes, noodling on top of riff guitar and drums and bass loop, really fun sounds, sweeping filters on the left ear sololing, ascends wonderfully through the cieling abrupt ending. the vajra is a weapon in hinduism apparently, not sure what song this is supposed to reference/cover but doesnt matter, this is the worst one here the clipping is silly and the overall feeling is like π€· i like the very ripply chorus guitar though. sounds like matt put thought into this one it works quite well it isnt stunning amazing but it is a step in the right direction, tracks 2 and 3 are quite worthwile glad i listened.
the hawkwind dream: i'm backstage, on the periphary of the stage; the band are playing in a cave high in tibet, looking out the cave mouth is like zardoz (also like our ponies field shelter, which is similarly strewn with prayer flags) theres a lot of non musician dancers, laughing light elves, kind of led by nik. lemmy and dave are a bit scowly about this 'distraction' and the dark grit chords shake like thunder. but blissfully uncaring, nik and his cohort are dancing out of the cave, dancing on air, borne by the wind, clutching the strings of prayer flags that are fluttering out into the void, and i realise, this is IT.
recommendation from good friend π. sloppy as fuck rock kind of dead c related vaguely but less tired more pcp or whatever. the volume dropouts are so fucking cool, the vocalist you can imagine him completely red in the face and you can hear the spittle in every word but i couldnt hear any words that is nice. the songs themselves are like incompetent little vile punk shit maybe it is ridiculously agressive i dont know makes me feel great. some different fidelity recordings on this, fully dedicated to the lofi scuzz punk shit. lovely nonsense guitar solos that go skreeeee or plink plonk plink plonkk love this i would like more. feee is more like actual dead c that is nice. actually the entire b side is more ritualistic guitar noise wank mmmmmmmmmmm good shit.
π awesom christoph set was nice i had heard his music a long time ago suprised i knew nearly every song he did, love the overdubs pot sweep drone shit a lot lovely sound didnt know about the nice tuning that is rlly cool, i need one of those lapsteel tabletop guitars fucking hell π. first and i think fourty songs were favourite. some people behind kept talking it was pissing me off some people were filming annoying oh well dont care good shit. toilets too small one cubicle and two urinals. drunk people are fucking annoying some woman drank too much and pushed past to throw up outside while iwas queued for toilet. during the gira set she was rambling it was fucking annoying gira took it well made jokes but she kept doing it the whole time might have had tourettes or something but most likely just that drunk. annoying. gira set was lovely, 3 new songs they were all quite lengthy i am excited for hearing them with a full band, some old ones he did new mind he did two women he did blind as the last song which was great. good feeling. he interrupted a song to tell someone to stop using their phone and they said they werent and he said oh pardon me and then kept going π. he got the sound guy to turn the mix up cristoph was standing behind him maybe to like pressure him it was funny, didnt go loud enough though. got a shirt, didnt want to get anything signed or talk or anything i have nothing to say, probably will regret this later. good night listened organ leaf by asuna after which is pretty good i feel like, got a car ride home. i feel like shit
somehow havent heard this before???? god bless richard ramirez this is fucking incredible insanely agressive. tight delay, sharp burning feeling. buried whines.ok i dont actually have as much to say as i thought this is amaing though the distortion is so classic sounding bass is blown out gorgeous and the top and mid layers are coloured with junk metal abuse feedback scraping possibly screaming possibly guitar at some points doesnt matter. goes nowhere (huge win). i dont know what else i could want good way to start the morning great way to start the morning the day highly recommend appreciate.please keep rereleasing this stuff i wont buy any because shipping is silly but please.
have been curious about this one for quite a long time, thought maybe i should just start now while i feel like it. 20 hours long (har har har) so it will take a while but hopefully it is good enough to keep interest and not make me want to listen to something else. tribute to kurosagi corpse delivery service manga, should probably pick that up at some point but right now i am busy.
first track cool noise blasts like unstable very good sound varying in density before settling into a blown out fuzzy bass that at first i was like :/// but overtime i became more :) than :/, i like the fuzz it has tactile edges mmmmm crunch n. some subtle knob tweaks throughout, some swaying between timbres, major changes, more blasts of noise. interesting approach to wall noise. second track less blown out more about the fuzzy top layer, sounding like wrapped in plastic rain against it more minimalistic i do like it good the fuzz sounds is a little ugly at points though. track 3 is more of this sound but more unstable going into it with weird volume dropouts and stuff, bass is louder, moves into a more subtle dnw rumble which is better. 4 is a wall with nothing very notable about it so be honest it makes me think nothing but there is nothing wrong with it it has the audio debris from the top end fuzz and the fuzzy bass lots of fuzzy and distortion ok i dont know nothing noteworthy. edit 28/11/22. track 6 is wall fuzzy wall i dont really like it to be honest too square sounding a little bit of headache fuel, subtle manipulations i think(?) but might be compltely monolithic, blown out bass of course. track 6 is the same it is ok i think nothing of it it is just ok. 03/12/22 continuation track 7 is more of this im starting to get bored of this that is why there is a gap i think i will skip when i get bored from now on.
listened after work at around 1:30am. saw the notification for when this project started ages ago and never got around to it for some reason, actually it is definitinitely because i am not even remotely interested in the liminal space stuff. it is a polwach project though so it will obviously have merit to it. of the two releases as of now this is definitely the best, setting the scene with a recording of the location this release is based off before getting into the main wall segment, which is dnw with a kind of hypnotic rolling sound and a soft layer of rustling static on top, as well as a kind of folding sound to serve a crackling function. he reintroduces the field recordings halfway through, music repeating itself which is a good feeling, the top layer static gets louder but skews the detail. enjoying this sound quite a bit, its like hiding under my blanket watching the world around me disconnected or something i want some more. also worth mentioning i am glad the hnw label is active again i should maybe submit something.
woke up with a headache which doesnt happen a lot, probably no noise today unless i change my mind. the last of the three minoru sato + asuna albums, the first being absolutely perfect gorgeous and the second being more melodic and more based on minimalism than pure drone (which is fine it was a nice album but nowhere near), this one is a return to the pure drone sound of the first one. not much to say obviously it is just rlly nice headcleaner simple drone with nothing else, just on the first track there is i think it is called a tone cluster it is a little nauseating but it is not enough to make it significantly worse, :). the second track includes some rattle, this track is maybe one of my favourite things i have heard ever i think but maybe that is just because i am hearing it right now i will be listening to this one again. close to the first album just the first track the tone cluster thing (sorry if that is not what it is called i am not a theory person) second track is absolutely gorgeous i love it so much. will download this one on my phone to listen regularly.
didnt feel like it
drone noise excursions from electric guitar, root note of first track sounds like cheap casio adds guitar feedback and hitting the guitar to create comfy atmosphere, adds more layers guitar scrape and top e string drone and strips down the lovely comfy drone into a more chaotic lovly sound,very lovely i didnt want it really to stop but it went on for 20 minutes so that is good enough . weird percussion is added for track 2 and 3, track 3 has some bizarre vocals (coughing chanting rambling whining shouting ) that is nice maybe a live recording i dont know. track 4 has a snare drum that sounds like hammering a nail into a wall, drops out and there is violin creaking scraping some nonsense saxaphon comes in too track 5 is so fucking good guitar hammer ons string bends π and bright piano chords the guitar has some noodling too but it is plink plonky love. last track builds slowly on top of cheap casio sounding drone and junk percussion and animal sounds, which is nice but not the best track here. favourite total album i think until i relisten to hard + low really good ideas and lots of good ideas.
starts with a jam with some quite discordant rambling horns with acoustic guitar and little chants as the backdrop pretty mediocre but i think other people will like this more than i do. second track is in the right direction π swirling shrill rural drones drilling away at the strings admiring metal zone delay tremolo chorus right up next to amp extend every note singing feedback a little aimless but nice while it lasts. third features some chanting vocals to keep everything afloat, the guitar work being less tonal and more trashy guitar noise with a note sometimes does very little for me. 4th track has some pitch shift play with a hoover mildly entertaining, some buried sparlking reeds i think and the guitar a lot of wiggly plink plonk rambling. 5th track is more agressive and has some fun flanger play on top, best track here by far but not enough to make this whole thing worthwhile,just feels like matt jamming out some ideas for stuff he wants to do which is fine i just wasnt amazed oh well
dedicated to streicher apparently who is complete shit (in a funny way) but an early power electronics project to boast a fascist nihilist ideology but seemingly for show and for the aesthetic rather than genuine (could be wrong though he seems silly). whatever, i think hes still alive this is just a tribute to the project.lots of projects here are of the ns crowd that i recognise here, i will prefice again this is annoying i do not support i did not buy i do not support buying i do not whatever i dont even think this is available anymore. the title the stormer i am pretty sure the stormer was a nazi newspaper in ww2 i might be wrong. the music here seems to be going for a common ground of sounding old skewl which is nice, genocide lolita does a very good job with the flanged vocal filth old shitty lofi sound excellent (one of my favourite pe projects (racist(twat(worthless))). gelsomina (scum) is here his track is really really good with lots of industrial junk noise filth and barked vocals. mansfield deathtrap is a project i have never heard of but the squeaky microphone feedback on top of a speech (and nazi )is a very good interesting sound i will probably rip this off for something. is stab usa stab electronics or is it someone else? anyway their track is called i dont give a fuck and it is incredibly funny. burial hex is here they are pretty established now it is weird they are here oh no grey wolves too π¬. the whitecastle track is gorgeous i will listen to some of their stuff the b side of this has some dark ambient death industrial leanings that is welcome. had to do a double take with that fecalove track it sounds just like genocide lolta lovely i would like some more please thank you. everyone here does a better job than streicher ever had that is funny. the cover is quite funny combined with the music and album title. free download on soulseek please if curious.
didnt feel like it
listened after work late at night. more of the sotos collage plus power electronics style but definitely improved on, more destincltly power electronics and longer samples all the way through so that they have more impact. the noise is the easiest to talk about, very loud for taint standards more forward vocals lots of variety in texture and ideas as usual, like transitioning from a sample about extreme violent abuse towards a mother of a family into whiny feedback into junky harsh noise. keith had a real talent for keeping his stuff interesting texturally and having enough variety even if the differences are quite subtle. the samples, i think i felt that kind of pit in stomach feeling throughout this entire album and i think i cried once fuck, the noise parts are little parts of release from the samples but still sometimes connected when the vocals are present, keith shouting about the violence that the violence discussed in the samples (barely audibly however). the noise parts are way louder than thr samples making them more impactful. writing about this while listening has helped but yea this one is a little bit too much for me felt like tapping out i feel bad about releases like this it is extremely exploitative but if you think about it you can justify it like "the people interviewed will probably never hear this, the money made from this is probably nothing and the press makes more money off this shit than keith ever will", art is allowed to portray suffering i get that but this is just too much i think, packaged with bloodied childrens underwear (and razorblade apparently) and a poster of one of the victims i just think fuck you. anyway it was successful in making me feel bad but i wouldnt advocate buying this download it for free thank you πΉ. probably the last keith brewer thing i will listen to for a while this made me really annoyed towards the end.
listened to this after work, how the fuck have i never heard of this project before this sounds glorious wow. cover is lovely has an octopus on there that is nice, the album is kind of squishy and wet as well focusing on electronic noise with a great sense of clarity and sense of space, leaving room for some acoustic junk noise when it is wanted. while stupid amounts of distortion all the time is loved by everyone the parts that are more intricate really shine through. the pace is so fucking slow it is great and the variety on display with sound sources and styles is excellent of course, big junk metal abuse fan over here appreciate the big metal container sound source. interest trailed off towards the end.
releases on these mini physical only 2000s netlabels especially the harsh fucked for life releases have a kind of holy grail kind of aura around them because most likely they will be gone forever and nobody will have uploaded them :((((. harsh fucked for life a lot of these releases mainly the skonhet and missing girls albums have that kind of aura aroudn them because they seemed to be pretty influential and interesting for the wall stuff, the missing girls music the most because they were the said first to properly do the lowercase noise wall stuff. some of it is still missing, this is on that label, have been meaning to check out this artist for a while i have only heard a little bit but they have been amazing every time. this is very very very long 7.5 hours will probably take a couple days. spleen is metallic chains grinding sounding with a bass end loop that is rhythmic but intensely hypnotic so it isnt distracting, very blown the fuck out enveloping sound, metal chain tightening around my chest. bladder is not very good to be honest it is rubbery ugly distortion sound square wave sound, smells like burning rubber sounds like shit. cant believe i heard thw hole thing i should have just skipped.lungs is very nice pretty classic sounding wall with some dynamic elements, thick cloud of ash chunks of stone drag tearing texture gorgeous pretty sound yesyesyesyesyesyes.thyroid has an ugly as fuck bass end sleep column esque sound and rattle layer on top, tracing rubber with nails. blown the fuck out blown out blown out to shit blown the fuck. tongue has rigid oscillation tight reverb focused on sputtering drones and jerky motion with mmmmmmmmmmmmmmmmmmmmmmmmmmm develops subtley into ore regular wall, car battery strapped to my
uterus sounds chasmic blown the fuck out blown out blown the bass end distortion sounds lovely top layer sounds like muffled whimpers, clawing at the walls (rubber). eye is back to the rhythmic loops of the spleen track but with more explicit power electronics (made me think bdn) style bass patterns and more movement and timbre changes, wire rotating scarping against the inside of rusty barrel twitching motion cant focus (is this too specific nonsensical). 18/11/22 continuation. liver isnt doing much for me it is more blown out blown out blown the fuck bass and rattle wall okay but with slight oscillation, chewing on cables (and rubber yum). intestine is more loop based wall stuff nice, a return to the winding chains sound of spleen but with a less detailed sound and a pretty headache inducingly fucking low bass end kind of ouch kind of made it difficult to listen to in a bad way, loop change near the end, grinding(my cat liked it i think). teeth is another loop based wall with blown out bass and rattle oh my fucking god this one has a bass pattern pe you know the, should have gone out on a better note but it is more headache blown out bown th fuck out i think this album has overstayed its welcome i was enjoying yesterday but today it felt like yea i like these early wall releases with their weird little experimentation and this one is actually cool with the loop experiments, after sitting through it in its entirety i will say it is a nice little overview into the more diverse styles this person explores, but lost interest, washing machine.
reasonart has so much cool stuff, this is one of the more popualr releases on that label it seems like, clive henry and nascitari collaboration both of which i am not too familar with but both being pretty important in the wall scene it seems, im just lazy i should properly get into these. would have bought the cassette but reason art records has been inactive for 4 years and they must have left the listings up by accident i dont kow the situation and also on the 5 way wall split olion says Don't buy anything from Reason Art Records, the owner will take your money and never ship the CDs so :o i π²π²π². even though both artists are wall people this is mostly noise collage with walls creeping in swirling around kind of sitting there as if you should expect it to come to the forefront, genuinely really interesting an not at all what i expected, focuses on subtlety and extreme differences in dynamics and atmosphere which sounds quite rural (mostly the flute's and the cover's fault). more careful more intricate more intelligent less reckless than what i expected was genuinely just expecting straight wall ok ok ok ok. second side is a lot less subtle but still is interesting, more wall on this side, cool weird R&G style voice experiments and with the interesting acoustic noise still present and some bizarre electronic noise. i think it is time to give these two a proper go.
listened to lots of stuff but didnt feel like writing about any of it oh well. felt shit
david gilden is the best ever. have seen that this existed a while ago was meaning to listen to it must have forgot. absolutely glorious ridiculous crunch wallish sound as expected, first part of this includes some guitar stuff it sounds like, they drop it and pick up a microphone david goes eeeeeooooo eoeoeoeooee into microphone and then it is back to regular, keeps going from there, structure of wall sounds and then more energetic noise with more activity, pretty nice stuff that gets better as gilden's contributions become more prominent, bringing in more bizarre eeooeooeoeoooo vocals and loops and a gorgeous fucking nasty harsh noise sound, goes back into a more brick wall sound after. second collaboration starts with a wall with a loop that sounds like tearing paper on top, the wall is pretty ugly though im not that into it. no movement which is pretty cool for the time for this to be a proper hnw album that early (i know richard did a few that were proper and david did one that was very close). second side is focused on subtle noise under a hiss sound, which is fine the hiss sound is kind of annoying though, thankfully develops into a tremolo experiment and then back again, slowly bringing noise in. again cool that this doesnt really do much , and kind of leans toward being proto anw. not an absolute highlight from either discogrpahy but a worthwile little curiosity into early wall stuff, as well as more gilden material which is always welcome.
standing out in the rain waiting for my bus to come listening to this it is good. i dont want to have to write something like this every time but i probably should i do not agree with this persons views and do not advocate giving them any money and would advise downloading for free if you are curious π. ns power electronics yes, very simplistic sound pretty shit fi, overall sound has that tacky kind of intimate sound that filth & violence is known for. in comparison to other pogrom releases i dont remember anything about any of them actually nevermind i wont comment. some highlights in terms of CREATIVE INTERESTING are the drums on second track, the sample at the end of the second track, the most ridiculously flanged vocals i have heard in anything in the third track, silly amount of flange on a guitar loop on the fourth track the whole fourth track is really cool, weird little sines on the fifth track, black metal riff. overall this is an album the verdict i heard it it was fun
jamming over cable buzz, pretty novel idea and has a pretty nice execution, all sorts of sparkling sounds on top of some detailed guitar droning, octaver pitch shift notes extended circular patterns, buried noodling, simple tremolo picked melodies, buried vocals moans, π€π it is a skullflower music. i actually think the buzz is the worst part, the rest is very nice hypnotic drone loop stuff, makes me want to pick my guitar up and make something right now! but i cant right now maybe later. yeah i am happy i listened to this i dont know why xaman on rym thinks so low of this one the buzz is annoying but the drone is good. oh well.
mania has a destinct sound, doesnt really sway from that sound that much but thats fine the sound is good. this is more of that, much slower pace than other mania releases i have heard, more careful in how things move around, swaying around building in mass coloured with feedback and minimal electronics. when he deviates a little from his usual bashing a big metal container sound and focuses on his firing range recordings (dont know of these are of any historical significance, might just be his own recordings i dont know) i interpreted it as drawing parallels between the harsh noise and the gunfire (noise = violence might be the idea or maybe you are supposed to interpret it as maybe a mass shooter's own recordings?) , but it is fine its not really that notable. after the second recording the enrgy picks up quite considerably and the vocals come in and the panning starts becoming more π³ and this is where i start going π³π³π³π³π³π³π³π³π³π³π³π³π³! the sound is sharp not as in clear as in it sounds like you can cut yourself if that doesnt make any sense listen maybe you will agree i think. pretty solid mania stuff i dont think i have heard any bad mania stuff yet πi will keep going decrepit is by far my favourite.
have had this downloaded for around a year, heard it ages ago and turned it off because it was too much for me. have been on a major kick with the mania stuff and felt like i should probably revisit this. this album is broken into parts with samples, those of which are about serial killers prostitution child murder, those kinds of vile sotos style samples that were popular in pe at some point because whitehouse was doing it. the noise here is lofi tape filth, wall noise with some minimal interaction around it, usually focused on letting feedback emerge from behind it, some synthesizer play here very minimal though just little filter play and some bubbly sounds, some nice spring delay sounds which i like in these taint albums very good sound, junk metal abuse obviously, good classic 90s distortion sound. he does introduce some traditional flanger pe vocals sometimes but they are very sparse. the samples, some are too short to properly tell much of a story, just little key points they are still miserable though, the longer they are the more difficult to sit through they are so it feels inentional to structure the samples like this. some of them i do recognise from other pe albums i dont remember if they were included in a sotos collage or something, i know a couple are on taint's whoredom album, i think that is a sign i am doing something wrong in my life that i recognise them though. feels like this had a very big impact on martin bladh's dirge album which i hold to a very very very high regard, mainly in how this album is structured obviously, as well as it probably being very influential for scum pe in general. the last track is incredible. the press are scum.
got this a while ago also, this one from the second hand record shop i like. it had a sticker that said it was noise i was pretty certain that it wasnt noise but i got it any way because i like buying whatever looks like it might be interesting, you never know if it is like realllllllly good or not. whatever. this is an industrial techno album seems like, first track is very fun regular industrial techno second track has some cool mic feedback action on it and some silly vocals and cool snare sound pretty good pretty unique sound i feel like. the two remixes on the b side, the october one i find pretty mediocre, way worse than the original lacking much energy to me really. the giant swan remix is pretty good, gets creative with the source material quite a bit and is fun on its own. nice little suprise i had a nice time.
link
got this a bit ago, got all of the cassette releases available from the label at the time, most of which i hadnt heard. this album is focused on making harsh noise loops and letting you pick them apart, the depth of the sounds is very appealing and some of the loops have that kind of """""""old skewl crunch"""""""""""""""""" to them, some of them have the nice :) shitty feedback sounds , very nice to listen to lots of depth even on speakers. some tracks are more "dynamic" but not like they really go anywhere, more about laying down some wallish noise and fiddling ontop of it (which is great i love that stuff). some of the synth sounds are very nice some are very 90s pe (mostly thinking taint's super simple synth stuff) some are kind of annoying like i dont like the main sound for track 5 i find it annoying. this is an album i have heard i will listen to more of their stuff probably.
himeko is strange i have never spoken to them so i am not a reliable source but they are strange i think from their music i think they are strange. i have seen that they do these releases i have not listened to any these azuza birthday releases i mean. this is my first and it is fucking insane stupidly harsh! percussion is sounds like shaking something around in a bucket sometimes hitting snare and cymbals, some synth nois filter and lfo play pretty interesting fun energetic some guitar hate noise stuff but pretty low in the mix it is the usual nonsensical noodling standard guitar noise, vocals sounds like he is going to pass out he is going aaaaaaaaaaaaaaa a lot sometimes sounds like he is saying azuza mostly sayinf aaaaaaaa thoughπ. oh yea everything is on top of a k-on guitar loop it is very loud it does get drowned out but it is the center of this album it works really well. genuinely really like this it is fucking insane it does run out of steam a little after a while but that is expected for how high energy it starts. pretty sure azuza is very young i do not like that at all i do like himekos music though and their field recording project is good, sometimes nice to tune into whatever the fuck they are doing ok hopefully this is articulate enough to make sense.
a little curiosity βοΈπΈ. transphobia themed power electronics is unique to me i havent seen anything related to this theme in pe, obviously i will prefice this with i do not agree with this i am not that stupid and i do not advocate giving this person money you can download it without paying them if you're interested in listening. sound wise it is worse than i thought it would be it is genuinely pretty funny the vocals are so unconvincing and stupid but they have a cool effect on them like the bitrate reduction effect that juanito does (sorry for comparing your noise to this i am so sorry) the sound is really lacking in POWER it sounds lazy as fuck everything sounds shit this is basically boring as fuck this is basically shit and boring not funny enough to be positive not enough power to be interesting basically not very good at all πππ. the transition between track 5 and 6 is fine the titles for these are funny no safe spaces is the best title.
work ended came home stared at computer screen put this on and i dont care anymore this is one of the best ambient albums i have heard maybe absolute favourite it is so warm and intimate and careful i cant believe i have never heard this and i am so glad it exists every note has its own motion every note interacts with eachother flows into eachother allows each note room to move this is the music i want to listen to right now probably on repeat for a while made me feel :)π² i cant stress enough how fucking good this is this is the best album i have written about probably for a while definitely one of the best albums i have heard in a long time .listened to while playing a short hike at 1am. better than t
incapacitants gold standard harsh noise manic absolutely full of life whining feedback wank violent shouting screaming over simple whiteish noise noise that breathes against the clutter ridiculously energetic although blissfully uneventful feral harsh noise junk abuse simple electronics feral violent harsh noise π³. evoked a visceral reaction immediately and if you have it loud enough you can feel itπ€πΈ. fun as fuckm. full body detox. listened to first track before work second track on my break (which i had spicy food spicy sauces for the occasion π). i will. i should look for the box is stupid physical i
i am not a metal person i have tried and not much of it does anything for me but sometimes i hear something and it is like π³π³π³π³π³π³π³π³π³π³π³π³π³π³π³π³π³π³π³π³π³π³π³π³π³π³π³ and i want to listen to more metal musicπ³π³π³π³. this sounds amazing the drumming is really sloppyπ and sounds terribleπ the guitar playing is really sloppy as wellπ, has very convincing passionate vocals as well which is awesome .i cant pinpoint many exact moments on this but music this good this makes me feel alive π³π³π³πΉπΉπΉ and makes me want to listen to more metal maybe start making some metals musicπ± it sounds like so much fun the area where i live has quite a few metal bands maybe i will start going to see those and get involved πΈπ€probably not metal is shit mostly ok this album is awesome you should try it probably if you read this maybe.
i think i might include photos of things i buy when i talk about them i think that might be nice.
had to keep jerking the volume up on my speakers because it didnt feel like it was loud enough, looking at the peak meter i think that isnt my fault i think the tape just isnt loud enough will have to listen to the digital to see if this is my fault. very fun . sometimes there is breakcore which is a lot of fun it is not jarring or anything it all fits together really nicely. some very ugly distortion some is nice though. a lot of gg allin references here which is fun i love gg allin. the packaging is lovely the cover art is funny i got a download code for a funny looking album with this and a tiny piece of paper with a penis drawn on it and text that says thx on it. had lots of fun with this one thank you for the m. just checked the digital version it is blown out as fuck and probably negates everything i have said about the distortion.
more. only one here that isnt focused on drums, more focused on sound collage noise, some harsh mostly not. seems like a more serious release than the other ones i got which is welcome, genuinely did really enjoy this even though there was still a silly amount of tremolo on this but sound wise this is very well done creates a good atmosphere when it isnt being very active and the radio samples are very very welcome. sometimes there is drums, mostly not. i like the physical junk noise as well it is not harsh it is more "intelligent"(i cant think of a better word sorry). thoughts are very scattered and i am not very articulate sorry. very different very nice but too much tremolo for me (it does work really well sometimes though) it is just a preference thing but it is full of good ideas i have been meaning to listen to this persons stuff for a while and never got around to it because i am an idiot this was a nice introduction. has a bonus track of radio collage that lasts longer than the album it is good you shoudl get the cd for it.
fucking insane breakcore harsh noise stuff the hallend oats side was fun but it was missing something for me i couldnt quite think of until the wubman side started, it should be loud as fuck the wubman side is sofucking loud its ridiculous it is my favourite here it is fucking insane moves at 10000000000000000000mph as well. everything else here is also good, the last side is more reglar breakcore with a silly edge to it which is a nice break from the super super super spastic stuff. favourite so far out of these track 13 killd me. tried adding to rym but i got lazy and ended up not doing it oh well doesnt matter.
i think actually i will listen to all of these today because this put me in a really good mood. spastic cut up harsh digital glitchy noise really powerful stuff, infectiously pretty manic and fun love the silly drum machine patterns that poke through and towards the end there is like actual breakcore and music samples but very faint. track 14 went on too long the fucking tremolo is annoying in a fun way on the rest buy on this track i dont like it. had it on super loud but my cat came in during the quiet track and got scared and ran out when the harsh parts came back in, turned it down a bit and my cat came back in to sit there for a bit, dont know how she puts up with this stuff but she comes in when i listen to the wall stuf she seems to like it. she doesnt like thi but i do good job will look for more.i can grow blades of grass out of my urethra
had a shit day yesterday and came home to the stuff i ordered from vomit hurdy gurdy label was delivered horray, :). going to go through and listen to them today maybe not all of them but at least some of them. chose thi s one because the packaging is so nice it is a hollowed out floppy disk with a cd inside, :)))))πvry cool. the music started and i immediately thought π’this sounds fucking ugly. kind of ugly minimalistic noise on top of drum machine patterns. sparsely fun mostly pretty dull but i dont mind this being a dud that is part of the fun of buying lots of music you havent heard :):). maybe it will grow on me because this person seems to have quite a bit of history going for them or maybe i just dont get it and i am stupid. oh well night spasms was pretty nice.
listened to the first of the darkness of aegypt series of skullflower albums and wrote about it, lost connection and all of it got removed. not that bothered but still annoying. can be summarised with i liked it the second side was a little flawed though.
i have heard beyond unknow pleasures it is a pretty iconic old skewl italian pe album now. thought i would listen to this finally because i have had it downloaded for a while. my mp3 wasnt great but the start of this is ridiculously bleak proto death industrial with little blasts of sound that just sound perfect i think they are movie samples or smthn, the vocal parts were a relief because they have the cheesy giallo kind of aura around them. second side is pe with guitar vocals and drum machine and it is like guitar guitar it is soloing fucking mental and the vocals are just as powerful showing an impressive range a lot of fun this one. will probably revisit if i find a better mp3 somewhere this is really good.
started this a while ago and didnt finish it i will try and find everything i said about it and dump it here .
lamo β 09/11/2022 helo listening to the first ringex plaster it is fun the third track has not much effort put in i like the other two lamo β 09/11/2022 there is just a dubstep song playing now in it's entirety with no editiing lamo β 10/04/2022 i started the first ringex plaster and got 4 tracks in before it sounded like they stopped putting effort in and i gave up MAYBE i will finish it
that is it i thought there was more but ok i want to finish all the long stff i started and forgot about this is one of those will probably not finish it today unless i do. i was up to the 4th track when i stopped but i remembered track 1 was fun collage with some glitchy some funny second track was really really good mental glitch part at the end that was like :shock::shock::shock::shock::shock::shock::shock::shock::shock::shock::shock: i dont know how to do emojis on my computer and i remember the 3rd track was less interaction with the samples just kind of letting things play but the start with the onision samples was very good interesting but yeah i got a little bored of that. i think that is all i can remember i will keep going now.
track 4 thoughts:
backpacks backpacks come get your backpacks! boots and pants and boots and pants! haircuts! come get yourself an outfit! denim!!!! how could this happen to me i made m y mistake s i :(((( how to do emojis on computer During text entry, type Windows logo key + . (period). π₯π₯πΏπ₯π₯π₯π₯π₯π₯π₯ another dubstep brostep whatever playing my cat got up and left the room when this happened team fortress 2 soundtrack i should play that right now roblox sounds too a lot but i remember they are on like every track. fun silly drum collage with like glitchy bizarre effects becomes more subdued a little dull and silly with distortion. turns into thin glitchy digital noise its kind of nice to be honest as far as thin glitchy digital noise goes. metal music? sounds pretty heavy turns into digital noise sounds pretty ok still a little thin. a song played in entirety but bubbly lo bit and with lo bit field recordin g on top ok. verdict.
i really enjoy these longer crackle pop experiment albums sergey makes, this album is one of those albums experienting with minimal sounds and subtle drones.track 1 is a nice introduction using regular sergey crackle pop sounds and a nice drone, track 2 has a tamborine esque rattle added and a drone that initially sounds like just the buzz of electronics but over time reveals itself to be more complex (still not that into the drone on this one though), track 3 the drone is ok the crackle is accompanied by rustling sounds like foil, track 4 has a louder drone than all the others and has a different timbre of crackle opting for a more marble like texture. good background noise for doing work having morning coffee watching new godwinson video browsing internet mindlessly. 2 hours.
90s macronympha, one of the most famous from that era and rightfully so this is really really fun. first side is more focused on the regular macronympha brick wall of junk abuse shortwave shit electronics and spastic cuts, as well as having a drum solo that sets everything off into being way more active. second side is very fun collage stuff cramming samples together cutting and panning meticulously amazing execution of pulling every punch this second side is fucking amazing maybe an absolute highlight of their discography, both members work in tandem so fucking well i cant believe i have nver heard this wow wowowowoπ³π³π³π³π³π³π³π³π³π³π³π³π³π³π³π³π³π³πππ³π there is so much shit going on i will relisten to this one day probably a little below grind and above amplified humans on the macronympha favourite s list love it wow π΄πΈ.
have been going through these albums when i feel like it, japanese gay hnw credited to a kind of silly amount of people for the outcome . the sound source according to the album's description is electro-stimulation, with both tracks being sourced from different members of the group which is a very cool idea i think very nice idea. jittery throbbing (laugh out loud funny) breathing wall that initially sounds pretty thin but little details poke through the mix in the frst track with subtle movements underneath. second track is the same sounding wall with slower swaying and less jittery.really like the creativity of this release but the distortion sound is not great it gave me a bit of a headache and there isnt much detail to the sound in a bad way, but this is a trilogy of releases using the electro-stimulation as a sound source so i hope they improved on this because the idea is super cool ok.
got this at the show, it has really lovely packaging the size of a cd with a cassette in a foam casing. listened over speakers instead of heaphones because of laziness mostly, but still the sound has a tactile earthiness to it like dragging rubble against the pavement (thought in my mind is 964 pinocchio the character having to drag around the big stone tied to his foot through the street). thick rumble sharp highs great drag texture in the mids maybe the best i have heard at least in a while very glad i got this i really like these fleshlicker wall releases. one of my favourite wall albums this year love it good j will probably revisit this later with headphones on and see if theres anything i missed.
got this record around a month ago i think, from my favourite secondhand record shop where i get lots of nice things. i have to say i have not heard many birdsong albums i have only heard i think the one pete swanson recommended on the noisextra episode he was on and one where birds are playing on top of a guitar i think it was. this has 40 different species, and i read some of the insert it seems like this person must really like listening to bird sound albums because they were explaining how this is basically like the best they think they could do with the limitations of vinyl and they removed the narration from the record because they thought it was a waste of time on the record which is cool but i did lose my place on the insert so it isnt entirely perfect but for some reason there is one instance of narration on the second side which is strange because it goes against what he says in the insert????, interestingn stuff!!!!!d!!!! sound wise it is nice there are some very nice sounds, i dont remember what bird it was but there was a bird that did sounds in longer patterns in quads s cant describe well but it was very cool. cool woodpecker too i like woodpeckers. probably wouldnt listen to this again but i think if i looped parts of this i liked i could probably make a decent power electronics album.
some of this resembles the sound of relentless agony with the lofi scuzzy wall of tacky junk noise and shortwave abuse but when there is more focus on clarity (particularly the track burn victim architect) the energy of the duo comes through better and it becomes more fun and you can hear the clunky junk metal violence and fun experimentation enough to properly get it as much as you do these other macronympha albums. not to say the more wallish tracks arent good, they are just a little more plain in comparison to the rest of the discography. listened before work, during break and a little after work so thoughts might be a little scattered. on discogs the covers are nice i dont know what is on the 2009 reissue's cover my guess is probably an eye or a vagina or maybe just an autopsy like maybe open heart surgery i don't know it is just a hole in the body somewhere. i really like the original cover with just crinkled up paper, probably should copy that for something i really like it. the 1995 packaging has the art the 2009 one has ok it looks nore like an eye to me but i am not sure, i like the packaging though that is nice. good thoughts π
listened to this before work nice early 2010s hnw stuff quite dynamic various sound sources the usual static textures but shaker box contact mic fiddling mic feedback voice samples sounds like a rally speech or just radio drone . sound wise the distortion is nice there is variety, some fuzzy bass some subdued distortion sometimes mostly some very good crunch heavy distortion. track 6 is not wall it has too much movement and dynamics sorry but it is one of my favourites here, some minimal sound exploration lovely sounds :) rolling around in my headphones. listened after work because i didnt finish it before i had a nice time still i am thinking positive thoughts about this album i enjoyed it even though texture wise it is a little primitive and ugly sometiems but i liked it i am glad. the last track is so fucking ridiculously good i love it so much it is early dnw sound a little like it influenced eugene critchley if he has heard this. forgot to mention this is 4 hours long. ok
this person gave out download codes for this at the gig which i think is nice, they seem like a nice person but i am not good at talking to people so i didnt properly engage sorry :). i like the sound the synthwork is nice the vocal delivery is pretty unique pretty cool i would like to hear more i probably will. i think cool attitude about it i dont know i felt like writing about this one even though i dont have much to say ok :). listened at like half 12 am.
have seen knifedoutofexistence a few times now his sound is very shrill live very punishing sound very visceral very good. the viimeinen person is new i think unless they have had an earlier alias but i also really liked their sound they had quite a lot of variety but it was mostly tape loop noise stuff they did do a regular harsh noise track it was amazing it was with a crash cymbal and metal chain very good very interestig. fleshlicker did a wall set of his jittery rigid wall stuff, the amp sound was gorgeous hypnotic he was walking around the room shirtless staring at people really up close and contorting himself it was really cool after he had finished it was silent because people didnt know it had ended so he got all his equipment away unplugged his coloured light and amp and everything and it was still silent other than like whispers it was funny i liked it. i said hello after he had finished and had a brief coversation about wall stuff and the old tumblr hnw comic. bought lots of stuff as well some i have heard some i havent heard got alcohol after and listened to ambient stuff on the way home it was wishing for more by blanket swimming which wasnt great but i will keep listening to more of their stuff this is long and boring sorry i had a good night.
love the title and cover and pressing play was a great feeling genuine. flanger chorus phaser tape loop noise experiments, once you have heard enough of it you get the idea but its like sometimes he is doing focused regular harsh noise sometimes he is locked into like a tight loop like those ecran noise loop but with sparse eq changes and knob turns. focuses on wobbly noise. this album is long it is like around 4 hours long which genuinely is kind of a problem because it is likeβΊοΈ i love long βΊοΈβΊοΈβΊοΈβΊοΈ but it is unnecessarily long because π the content would have been improved with more trimming but probably it is like the attitude of βοΈπΈ no editing no overdubs no bullshit or whatever oh well. some highlights include infrequent regular harsh noise sounds some more full harsh sound (this sounds thin as fuck) and some hypnotic looping circular patterns sometimes but mostly i feel like this is kind of a miss but de0th would like it because ππ he is silly.
ugly clipping again he still hasnt fixed that for some reason. still the same aimless guitar noodling. 3rd track has an idea to it but it is unsucessful and the chimes sound is annoying. 4th track has a cool sounding percussive loop but the guitar is still the same thing and it is not interesting. last track is the same idea as the 3rd bt more succesful, i like the shuffling kind of sparkly noise sound and the guitar motif in the right ear is nice. i wish he would focus more on these succesful ideas instead of doing a lot of releases that all do the same thing over and over again, mostly worse than the last one . some of the coo l ideas on these all being on one album would be a GOOD albm i would enjoy but i think he will keep going forever like this which is sad oh well he can do what he wants i will keep listening to his music though because he has little moments like this last track that make it worthwile ok have a nice day. edit 06/11/22 read xaman's commend didnt even realise that tracks 2 and 4 are identical what the fuck why what the fuck wh is the 5th just the 3rd improved on why did he include both what is the point this is dumb.